This evocative mixed-media painting, created in Puerto Escondido, captures the surreal presence of a “bad child” with piercing blue eyes, suspended on a swing during a fiery sunset. As the child chants the word “Pendulum” like a mantra, time and identity seem to blur. The upper half of the canvas bursts with warm, bleeding tones of orange, pink, and indigo, evoking a tropical sky in flux, while delicate stitched lines add a ghostly architecture — perhaps constellations or fractured memories.

The lower portion dives into a tangled sea of threads and layered textures, suggesting both water and emotional chaos. The child, painted upside down, becomes a symbol of rebellion, vulnerability, and inner transformation. With abstract gestures and carefully placed color collisions, the piece speaks of tension, play, and the wild oscillation between innocence and darkness.

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As the spiral spun faster, symbols appeared within the blocks, forming intricate smaller patterns—some resembling ancient circuit-like codes, others evoking Egyptian glyphs or mysterious undefined signs. At the painting’s center, the artist’s dream-body and lunar-body voyage through hyperspace, encapsulating the transcendental nature of the experience.

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The composition unfolds as a long narrative: starting from the feet, it ascends through the imagery of a turtle and a beach, then rises into a dusky sky until the horizon reveals the sea with its rolling waves. This evocative journey suggests that true transcendence comes from both seeing what lies ahead and fully feeling one’s surroundings—a path that ultimately leads to the awakening of the third eye and a higher state of perception.

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How can light create sound? Through the shadows it casts. This piece embodies the ancient technology of the dreamcatcher, generating a constant interplay of light and shadow—an eternal imprint on the ground and in the air, part of the grand galactic dance between the sun and the earth.

A mesmerizing fusion of material and immaterial, Acchiappasogni invites you to reflect on the unseen forces that shape our reality.

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The first layer of this painting carries pain—it was born on the day of the artist’s father’s passing and remained hidden behind a wardrobe for years. After returning from a journey to Mexico, the artist felt a newfound closeness to death, embracing it as a theme to be exorcised through art. Inspired by the Catrinas, the iconic skeleton figures of Día de los Muertos, this piece transforms grief into a vibrant, imaginative tribute to the cycle of life and death.

El Señor de la Muerte is more than a painting; it is a ritual, a catharsis, and an invitation to dance with mortality rather than fear it.

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